We’re look for individuals with a passion for dance music who can contribute to the site and events. You might be a budding blogger, promoter or DJ. If you want to gain more experience and make contacts please get in touch. Send a bit of info about yourself to nathan@soundadvice.me.uk
To thank all our amazing friends for making the last four Sound Advice parties out of this world, we’re putting on a FREE PARTY at the awesome Cafe 1001. After tearing it up at Cargo with the likes of Alex Niggemann and Darius Syrossian, we couldn’t think of a better idea than to throw a free party for all our hard working friends. Alongside the Sound Advice residents, we will have a very special guest performing. We are also planning a cool afterparty for this one, so watch this space!
Sound Advice are please to present Marcin Czubala on the 18th of Feb at Cargo, London. Marcin has been producing electronic music for over 10 years, fine tuning his sound over several handful’s of singles and albums. Having just released a four track E.P on the long standing Berlin House and Techno label Mobilee, as well as his busy international touring schedule and setting up his own label ‘Your Mama’s Friend’, Marcin has found the time to have a quick chat with us here at SA.
SA- From starting out in Classical music, to making your name as a Techno producer/dj, your sound has continuously evolved throughout your career. Can you tell us a bit about where you are right now musically? MC- I am mainly involved with Deep House music, although not really into its classic forms. I always try to develop my sound, I get easily bored with just one way of production. my tracks are sometimes more bassy, sometimes a bit Detroit inspired although it’s definitely House music.
SA- You’ve recently set up your own label ‘Your Mama’s Friend’, what is the philosophy behind the label? MC- Our philosophy is to offer fresh underground House music. To merge, combine and develop new sounds. We don’t focus to deliver dj tools or to fit current hype, it’s strictly just about musical value.
SA- Can you tell us what we can expect from you in London? MC- Your Mama’s Friend posse ! Proper bass house music guys
SA-We felt your last e.p. ‘Just A Way’ really stood out, how do you approach starting and finishing a record? MC- Thanks for your kind words. It differs. Sometimes it’s just sample that inspires me to approach starting a track, sometimes a bassline or some sort of melody / chord arrangement. With the Just Away single it was mainly vocal samples and basslines, after this it was simple to approach finishing the record.
SA- What’s the next big thing from you? MC- Right now I’m focusing on work with my label Your Mama’s Friend, it’s really time consuming so I have only time to produce some remixes. Although I plan some proper studio time to produce another single soon.
SA- Finally, what’s the strangest location/experience you’ve had when djing? MC- I am not booked into really strange locations or at least we try to have a control over the places I am playing. I can only speak about good experiences and the best locations for me are always in Mexico, also my recent trip to South Africa was great.
We’re back with a 808 boom for 2012 at Cargo, featuring Deep House bassman from Poland; Marcin Czubala. Marcin has producing House and Techno for over 10 years, fine tuning and developing his sound over several handful’s of singles and albums. His current sound see’s him in familiar territory to UK audiences with his bass heavy tracks. Having just released a four track E.P on the long standing Berlin House and Techno label Mobilee, as well as his busy international touring schedule internationally, Marcin has also found the time to set up his own label ‘Your Mama’s Friend’. Check out our interview on the site for more info!
Please make sure to buy tickets from RA for only £5 from the following link (to avoid getting stung £15+ OTD)
Sound Advice returns to Cargo on December the 10th for it’s penultimate party of 2011, featuring Berlin’s rising star; Alex Niggemann.
As a producer, Alex has released chunky cuts on respected labels such as Nick Curly’s 8Bit and the long standing Freerange records, while his DJ skills have taken him as far as South Africa and Ibiza as well as Europe’s hottest venues. Both his productions and remixes continue to receive full support from the likes of Nick Curly, Audiofly, Booka Shade and Loco Dice. Sound Advice welcome Alex to London, inviting him to drop a two hour exclusive set. Currently halfway through producing his debut album, be sure to catch some brand spanking new, never heard before tracks.
Sound Advice has seen notorious London venue Cargo packed out with the sexiest, discerning ravers in London, with music provided by the best talent in underground House and Techno, such as Steve Lawler favourite Darius Syrossian, Ibiza regulars Deepgroove and hotly tipped Sam Russo.
Alex Niggemann provides us with the second installment of the SA podcast. Headlining our last party of 2011, Alex is flying over from Berlin to drop a few bombs on the Cargo dance floor. Expect some exclusive cuts from Alex who is halfway through his new album. To read more, check out our interview with the man himself
We talk to Alex Niggemann ahead of his London gig for Sound Advice at Cargo. As a producer, Alex has dropped phat tunes on respected label such as Nick Curly’s 8Bit and Supernature, while his DJ adventures have taken him as far a South Africa and Ibiza as well as Europe’s hottest venues. Both his productions as remixes continue to receive full support from the likes of Nick Curly, Audiofly, Booka Shade and Loco Dice. Sound Advice welcome Alex to London, inviting him to drop a two hour exclusive set. Currently halfway through producing his debut album, be sure to catch some brand spanking new, never heard before tracks.
1. Hi Alex, how are you how’s it going? I’m fine, thanks for asking. 2. You’re headlining the SA party on the 10th in London, can you tell us what we can expect from you? As always, I’ll give all my love to the music and people. I really love to play in London and I never had a bad time there so far! Really looking forward to it. 3. You’re currently producing a new album; can you give us some info on how it’s coming together? I now recognize, that It is a hard process to produce an album, which fits for clubs and listening at home. This is what I wanted to do from the very beginning; an album that represents me and the whole range of music I stand for. I try to make every song sound different to the one before. I think it’s very important in these times to do something special, as there is a lot of quantity on the market. Quality became less. I took me a while to get into the whole process, but I see the light at the end of the tunnel. Half work is done. 4. You’ve enjoyed a meteoric rise into the Berlin and global scene; can you tell us what has been the secret to your success? Hard (quality) work and having great power of endurance.
5. Can you tell us a bit how you approach making a new track? It’s different every time. Sometimes with an idea of a groove or melody, sometimes only by sitting in studio and just letting go. I don’t have a formula. This is why the music I release mostly sounds different to the EP’s before. 6. Can you offer any advice for upcoming producers looking for their break into the scene? Take your time and find your style. Fast success mostly isn’t the best way and not every finished track is a release.
7. And finally, what’s the strangest request/experience you’ve had when DJing? Well, there are a lot. Mostly it’s people who only visit the club because of hearing good things about it, without having a clue about the music. I had a few people asking for Pop or RnB already. *Lol*
Native Instruments have teamed up with Softube to painstakingly emulate three of the most used hardware studio compressors of all time. The compressors can be loaded into any DAW (via Guitar Rig) to give your sounds that analogue tube compression and coloring sought after in the ‘out-of-the-box’ mixing process.
These digital versions provide added features to their analogue predecessors:-
Sidechaining, you can check out a cool video on sidechaining the vintage compressors here.
A dry to wet fader (aka parallel compression without the hassle)
A low cut fader, that only compresses the audio above the cut off point (handy for smoothing out a drum loop without the kick pumping the threshold)
Right, let’s get into these bad boys.
Featuring attack and release dials, the VC 76 is the most flexible of the three. The attack is super quick and on higher compression ratio’s this unit will smash sounds, so you can use the dry level fader to let a few transients peak in. Your going to get more joy out of the release dial to control the snap on drum loops. Once familiar with the attack and release timings, you can use this as a trusty compressor for most dynamics duties. What I particularly like about the VC76 is the input/output dials, which allow you to drive a signal through the unit and get those digital tubes giving your sound some character. In this case the ratio can be set to 1:1 to just color the sound and then up to 20:1 offering the highest compression value. I set the release time fast, input high with a lower output to inject some distortion and power into these bongo’s.
Next up we have the VC2A, the simplest of the trio, the main two dials being a gain controller and peak reduction dial controlling compression. This unit is a great tool for adding extra meat to vocals, bass and pads. You can run a drum mix through this to fatten it out but generally use on longer phrases which require extra body. The attack times are calculated automatically, so sit back and enjoy!
Last but not least is the VC 160; this unit can add definition to individual drum sounds. I ran some 909 kicks through this unit and it tidied them up nicely to slot into the mix. By compressing the tail end and letting early transients through, its sounds like the bass has been scooped out. However the kick has more punch while retaining its power through the low end. The VC160 offers threshold and ratio settings with automatic timings, modeled on the VCA unit. This unit offers a good compromise for anyone getting to grips with compression, which may not be confident setting the attack and release times. Check out my kicks below!
In conclusion, these compressors sound the part. What I like the most about them is the how they distort the signal subtly, providing that ever elusive analogue warmth. They also offer a compromise between the newbie and the pro user alike. If you’re just learning you can use the VC2A to give you an instant compression without the confusion. A little tip is to balance the bypass signal with the compressed version, so you can A/B to hear what the compressor is doing.
The pro will go for the VC 76 as the workhorse compressor for nearly everything and with producers supposedly ‘emptying the racks onto eBay’ of the original unit, these compressors seem to have replicated the sound of the originals down to the last microsecond. As those winter nights draw in I’m sure you will find these compressors providing you with that extra analogue warmth.
You’re headlining the SA party on the 27th, can you tell us what we can expect from you?
Lots of jacking house, bass and heaviness.
You’re closing The Discoteca the next day at We Love…Space, can you give us an insight into playing at Space?
It’s just really, really exciting. The booth makes all your records sound amazing, everyone there is probably as excited as you because they are firstly, in Ibiza and secondly, in Space… and loads of our friends are going to be there, so fingers crossed, it will be fantastic.
You’ve been producing and DJing for some time now? Can you tell us what inspired you to create your own music?
I guess we are ravers at heart, so going out clubbing and listening to our favourite djs was the original inspiration.
Can you tell us a bit how you approach making a new track?
It normally starts with a solid idea (as jamming and chucking ideas around normally results in eating crisps and c*cking around), a bassline or a vocal. Then writing drums around it. Also, visualising where and when you are going to play it helps massively.
Can you offer any advice for upcoming producers looking for their break into the scene?
Make lots of records, find a sound that you think is strong and dj your sound as much as possible to make sure it works in the club. Put your tracks on Soundcloud, Mixcloud, get a Facebook page, a strong image and then seek out the djs and producers you aspire to. If they are playing your music, you are on your way…
And finally, what’s the strangest experience you’ve had when DJing?
We played at Bestival one year in an ice cream van, with Lee wearing a yellow nighty and confused a few people by playing Annie ‘The Sun Will Come Out Tomorrow’…very strange…